Emily Carr Paintings

Device Design Day 2011: Six Questions for Mike Kruzeniski

This is our third installment of "Six Questions" with the speakers from this year's Device Design Day ! We're excited to share some of Mike Kruzeniski's thoughts on being "just" a designer, the importance of storytelling and his love for the Nokia 3310.

Mike Kruzeniski is a Design Lead on the Windows Phone design studio in Redmond. Before joining Microsoft, Mike worked at the Design Strategic Projects studio at Nokia Design in Los Angeles. His focus has been on pushing the boundaries of mobile experience, exploring the language and cultural roles of user interface, and methods for taking product concepts to production.

p.s. Read responses from NASA's Cori Schauer and NONOBJECT's Branko Lukic for more insight on this year's conference!

Kicker Studio: What is the most cherished product in your life? Why?

Mike Kruzeniski: This is one of those questions that you feel like you're supposed to have an answer to, but nothing comes strongly to mind. Maybe I'm stuck on the word "cherished." I do have a lot of products that I really like. Some that I might even say I love, in that way the word love gets thrown around design. I love my Prius. I love watches, Alessi and Nixon in particular. I have a lot of shoes...but love my Converse All-Stars and John Fluevog's the most. I have a pair of classic Tom Ford sunglasses that I love. I love my Eames furniture. I have a large collection of mobile phones, and as far as products go, I spend more time with my phone and PC than anything (and maybe anyone) else. I just bought a new camera and so far that relationship is off to a very good start. But, I don't think of any of these things as "cherished." The emotional connection with them isn't strong enough to deserve that. Maybe that's being too literal with the question, but all of these things can be replaced. They will be replaced, eventually.

When I think about the objects in my life that I do actually feel a sense of "cherishing" for, there are two, but they aren't really products. The first is a painting that my wife and I bought together on our first vacation, in Bangkok. We met the artist and ended up drinking all night with him and his friends, despite neither us being able to speak Thai, or them English. The second is the ring that I proposed to my wife with, which I folded out of paper. Yes, paper. Both of these objects have great stories surrounding them and make me happy just thinking about them—and always will. Both are fragile, by their nature won't last, and are the only things in my apartment that I would actually feel a strong sense of loss for if they were damaged or lost. Both represent a lot more to me than just what they physically are. There is no newer or better version of those objects. And unlike a lot of other things their impermanence only increases their value, at least to me.

Creative EdVentures: My Favourite Canadian Art

He won a medal at the 1890 Paris Salon for his painting After the Bath which made him one of the first Canadian artists to gain world-wide recognition within his lifetime. He was well known for his pictures of children and nudes with a sentimental slant to them. In fact, he was one of the first Canadian artists to paint nudes.

I shared information about Inuksuit and showed how to make a small version for yourself.

Dear Nan, letters of Emily Carr, Nan Cheney, and Humphrey Toms

Emily Carr

Art et architecture au Canada : bibliographie et guide de la documentation à 1981

Four Pictures by Emily Carr

Growing pains, the autobiography of Emily Carr